Browse the Plays
-
- Experience Chronicled
- Allegoric or Metaphoric Representations
- Concentration and Extermination Camps
- Deniers and Denial
- Germany, Hitler and the Growth of Nazism
- European Jewry Before the Holocaust
- Escape
- The Ghettos
- Hiding
- Righteous Gentiles
- Rescue
- Resistance
- Liberation
- Nazi War Crimes and Judgement
- Other Victims of Nazi Persecution
- Perpetrators, Bystanders and Collaborators
- Survivors and Subsequent Generations
- Theater During Holocaust
- Women and the Holocaust
- Experience Chronicled
-
Recent Insights
- A Personal Welcome to the Holocaust Theater Catalog
- Many Questions and a Few Answers
- Comments to the Association of Holocaust Organizations (AHO) Conference
- Honoring Elie and Marion Wiesel for Their Plays
- NJTF HTII becomes part of UM MILLER CENTER
- Theatrical Depictions of Survivor Stories
- On Resort 76: Jewish Drama and Putting the Audience Through a Difficult Evening By Bruce Cohen, MFA – the University of Wisconsin at Whitewater
- NJTF Remembrance Readings Launched
- Online Women, Theatre, and the Holocaust Resource Handbook
- Almost Lost
An die Musik
Author(s): Pip Simmons Theatre Group
A performance piece created by the Pip Simmons group that has a central element, a horrific cabaret performance overseen by an SS officer, who terrorizes the artists into performing. The piece was controversial because the Jewish prisoners were spat upon and mistreated during the course of the performance.