Allegoric or Metaphoric Representations
Amorphous Ottenburg [Amorphe d’Ottenburg]
Mama’s Coming Back, Poor Orphan [Maman revient pauvre orphelin]
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The Gnoufs [Les Gnoufs]
Adam and Eve [Adam et Ève]
Whiner [Pleurnichard]
Little Uf Riding Hood [Le Petit Chaperon Uf]
The Vitalabri [Les Vitalabri]
Your Mother [Votre maman]
On the Way to the Promised Land: A Dental Tragedy [Vers toi Terre promise, Tragédie dentaire]
A Lesson in Savoir-Vivre [Une leçon de savoir-vivre]
H. H.
Putting an End to the Jewish Question: To Be or Not to Be [Pour en finir avec la question juive – l’être ou pas]
The Redheads [Les Rouquins]
Tomorrow, from Any Window [Demain, une fenêtre sur rue]
Brawl [Rixe]
Michu
Sense of Decency
The Secrets We Keep
Brundibár
English Lessons
Final Day? The Musical
Shanghai Carousel: What Tomorrow Will Be
The Banality of Evil
The Children of the Forest
This Beautiful Future
Eight Nights
Vessels
The Inventor
Tropical Secrets: Holocaust Refugees in Cuba
Mengele
Murmurs and Incantations
The Last Rat of The Theresienstadt
Refidim Junction
Annelies
The Glamour House
Cabaret in Captivity
What Survives is the Fire
The Escape Act – A Holocaust Memoir
And Our Ashes Will Be Scattered By the Wind…
Entangled Memories Remembering the Holocaust in a Global Age
Have We Found Anne Frank? A Critical Analysis of Theater Amsterdam’s Anne, Contemporary Approaches to Adaptation in Theatre
The Damned
Charlotte: Life? or Theatre?
Visions of Right
Light Falling Down
Harlequin in the Ghetto
The Ladies’ Tailor of Babi Yar
Muse of Fire
The Education of Hershl Grynszpan
The Third Wave
Wings [כנפיים]
Ashes to Ashes
The Captain of Köpenick
The Resistible Rise of Arturo Ui
Displaced Wedding [Di khasene in fernvald]
Sotto Voce
Manifest
In the Main Headquarters [במצבאה הראשית]
Hannibal [חניבעל]
Only the Stars Have Been this Close [רק הכוכבים היו קרובים כל כך]
Night Fences [גדרי לילה]
Happiness of Man [אושרו של אדם]
The Black Horror [האימה השחורה]
Winter Feast [חגיגת חורף]
The Announcement [הבשורה]
Kiddush HaShem [קידוש השם]
Come My Beloved [לכה דודי]
Requiem in Terezin [ראקוויאם בגטו]
The Man From There [האיש משם]
Shulem [שולם]
Momik [מומיק]
And the Rat Laughed [צחוק של עכברוש]
Hametz [חמץ]
The Attic Room
Cathedral of Ice
The Last of Hitler
The Last Cyclist
The False Witness: Trial of Adolf Hitler
We Will Never Die
Hitler Has a Vision
Replika
Akropolis
The Burning Season [העונה הבוערת]
Arbeit macht frei vom Toitland Europa [ארבייט מאכט פריי]
The Child Dreams [הילד חולם]
Tscherly KaTscherly [צ’ארלי קאצ’רלי]
Adam Son of a Dog [אדם בן כלב]
Adam’s Purim Party [מסיבת הפורים של אדם]
The Storm: Tragedy of Sinai
The Emperor of Atlantis
Kamp
Dr. Korczak and His Children [Korczak und die Kinder]
Eli: A Mystery Play of the Sufferings of Israel [Eli: Ein Mysterienspiel vom Leiden Israels]
Les Sept possibilités du train 713 en partance d’Auschwitz
The Second Life of Tatenberg Camp [La Seconde existence du camp de Tatenberg]
Chronicles of a Provisional Planet [Chronique d’une planet provisoire]
Les Chants d’amour des alphabets d’Auschwitz
The Messiahs [Les Messies ou le mal de terre]
Night Words: A Midrash on the Holocaust
Ganesh Versus the Third Reich
HTC Insights
Views, reference and research of interest.
A Personal Welcome to the Holocaust Theater Catalog
A Message from Arnold Mittelman After a career in not-for-profit and commercial theater spanning more than 40 years I was honored in 2007 to found the National Jewish Theater / Foundation and in 2010 to assume leadership of its Holocaust Theater International...
Lifetime Achievement Award
On September 30, 2024, French playwright, Mr. Jean Claude Grumberg received the Lifetime Achievement Award. It was presented by NJTF HTII President, Arnold Mittelman with Dominique Trimbur, PhD-Manager for the History of Anti-Semitism and the Holocaust, Teaching of the Holocaust of Fondation Pour La Memoir de la Shoah Project.
Many Questions and a Few Answers
by Robert Skloot 2022 NJTF HTII Lifetime Achievement Award AHO Winter Conference, Miami, FL I’d like to begin my remarks by asking the question that all of us have been asked often: “Why do you do the work you do?” There are, of course, many answers, but I’d imagine...