Browse the Plays
-
- Experience Chronicled
- Allegoric or Metaphoric Representations
- Concentration and Extermination Camps
- Deniers and Denial
- Germany, Hitler and the Growth of Nazism
- European Jewry Before the Holocaust
- Escape
- The Ghettos
- Hiding
- Righteous Gentiles
- Rescue
- Resistance
- Liberation
- Nazi War Crimes and Judgement
- Other Victims of Nazi Persecution
- Perpetrators, Bystanders and Collaborators
- Survivors and Subsequent Generations
- Theater During Holocaust
- Women and the Holocaust
- Experience Chronicled
-
Recent Insights
- A Personal Welcome to the Holocaust Theater Catalog
- Many Questions and a Few Answers
- Comments to the Association of Holocaust Organizations (AHO) Conference
- Honoring Elie and Marion Wiesel for Their Plays
- NJTF HTII becomes part of UM MILLER CENTER
- Theatrical Depictions of Survivor Stories
- On Resort 76: Jewish Drama and Putting the Audience Through a Difficult Evening By Bruce Cohen, MFA – the University of Wisconsin at Whitewater
- NJTF Remembrance Readings Launched
- Online Women, Theatre, and the Holocaust Resource Handbook
- Almost Lost
Displaced Wedding [Di khasene in fernvald]
Author(s): H. Leivick
A group of survivors try to move on with their lives in a story featuring a talking clock, the ghosts of dead victims, Elijahu the Prophet, and The Messiah. In this adaptation, the play includes survivors of the Holocaust as well as survivors of more recent genocides.
Format: Full-length drama
Cast Size: 5M/6F/1 child
Snapshot
Original or Prominent Production: West End Theatre, 263 W. 86th Street, NY, NY. December 11, 2010 –January 2, 2011.
Nationality of Author: Belarusian
Original Language: Yiddish
English Language Translator: Ellen Perecman
Production Rights Holder:
Ellen Perecman, New Worlds Theatre Project
Experience(s) Chronicled: Allegoric or Metaphoric Representations | Concentration and Extermination Camps | Liberation