Browse the Plays
-
- Experience Chronicled
- Allegoric or Metaphoric Representations
- Concentration and Extermination Camps
- Deniers and Denial
- Germany, Hitler and the Growth of Nazism
- European Jewry Before the Holocaust
- Escape
- The Ghettos
- Hiding
- Righteous Gentiles
- Rescue
- Resistance
- Liberation
- Nazi War Crimes and Judgement
- Other Victims of Nazi Persecution
- Perpetrators, Bystanders and Collaborators
- Survivors and Subsequent Generations
- Theater During Holocaust
- Women and the Holocaust
- Experience Chronicled
-
Recent Insights
- A Personal Welcome to the Holocaust Theater Catalog
- Many Questions and a Few Answers
- Comments to the Association of Holocaust Organizations (AHO) Conference
- Honoring Elie and Marion Wiesel for Their Plays
- NJTF HTII becomes part of UM MILLER CENTER
- Theatrical Depictions of Survivor Stories
- On Resort 76: Jewish Drama and Putting the Audience Through a Difficult Evening By Bruce Cohen, MFA – the University of Wisconsin at Whitewater
- NJTF Remembrance Readings Launched
- Online Women, Theatre, and the Holocaust Resource Handbook
- Almost Lost
The Last of Hitler
Author(s): Joan Schenkar
Described by the playwright as a "comedy of menace," the ironic dramatic premise is that Adolf Hitler and Eva Braun hide out after World War II in a Jewish retirement community in Miami.
Format: Dark comedy
Cast Size: 10M or F, cast can expand up to 12
Snapshot
Original or Prominent Production: NYC, 1982
Nationality of Author: U.S.
Original Language: English
Publisher:
In Signs of Life: Six Comedies of Menace by Joan Schenkar, Wesleyan University Press.
Experience(s) Chronicled: Allegoric or Metaphoric Representations | Perpetrators, Bystanders and Collaborators