Browse the Plays
- Experience Chronicled
- Allegoric or Metaphoric Representations
- Concentration and Extermination Camps
- Deniers and Denial
- Germany, Hitler and the Growth of Nazism
- European Jewry Before the Holocaust
- The Ghettos
- Righteous Gentiles
- Nazi War Crimes and Judgement
- Other Victims of Nazi Persecution
- Perpetrators, Bystanders and Collaborators
- Survivors and Subsequent Generations
- Theater During Holocaust
- Women and the Holocaust
- Experience Chronicled
It is 1962 in New York City and would-be screenwriters, twenty-something Arnie and Robb, attend the funeral of a once famous Austrian Jewish actor hoping to meet celebrities who might help jumpstart their careers. They meet Minna, the dead man’s beautiful 40-year-old sister, a survivor of both the Nazis and the Soviet gulag who invites them into her life. She has a story of remarkable survival—as a Jew in a German camp, liberated by the Soviets who then imprison her in a gulag because she's an Austrian baroness through an early marriage. An ageing actress in the manner of Dietrich wishes to play Minna in a film, a story that could help revive the actress’ career and launch the young men’s careers as screenwriters. Minna is reluctant to capitalize on her Holocaust story—it is the one thing she values and does not wish to be degraded in a film. Her love affair with one of the young men leads to a change of mind—but it has remarkable consequences for all involved. Budapest is a dark comedy, a modern Camille, and a story of love and betrayal, recreating the fragile world of theatre émigrés in New York in the decades following World War II.
Racheli is the daughter of two deceased survivors. She is dealing with their deaths through writing about their lives in Poland, their experiences in hiding, the house they built in Israel and saying goodbye to them. Since Racheli is an actress, she decides to write a monodrama, and asks her friend to direct her play. The play is set during a rehearsal the two are doing. Racheli confronts her friend whose parents are still alive and were warriors in Israel, while Racheli's parents were hiding. They also don't agree about the staging of the play itself.
One-woman play charting the relationship between actress Penny Kreitzer (co-author of the play), the artist Charlotte Salomon, and Charlotte's stepmother Paula Salomon-Lindberg, a renowned contralto and co-founder of The Kulturbund, the Nazi sanctioned Jewish Theatre in Berlin.