Browse the Plays
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- Experience Chronicled
- Allegoric or Metaphoric Representations
- Concentration and Extermination Camps
- Deniers and Denial
- Germany, Hitler and the Growth of Nazism
- European Jewry Before the Holocaust
- Escape
- The Ghettos
- Hiding
- Righteous Gentiles
- Rescue
- Resistance
- Liberation
- Nazi War Crimes and Judgement
- Other Victims of Nazi Persecution
- Perpetrators, Bystanders and Collaborators
- Survivors and Subsequent Generations
- Theater During Holocaust
- Women and the Holocaust
- Experience Chronicled
Tags: South America
The Other Man
The play, influenced by the manhunt of former Nazis in the 1960s, depicts the capture of an SS man hiding in Argentina by Israeli secret agents.
The Portage to San Cristobal of A.H.
At 90, Adolf Hitler is transported out of hiding in the Brazilian jungle. Such is the premise of George Steiner's novel The Portage to San Cristobal of A.H. is a faithful adaptation of George Steiner’s novella. The controversial work depicts the capture of a ninety-year-old Adolf Hitler in South America by Israeli Nazi hunters.
The drama concludes with a trial structured as a 25-minute monologue given by Hitler, who directs his testimony to the audience. In this extended monologue, the Führer defends his horrific and genocidal actions by comparing them to other historical events. Among the historic atrocities he cites are the Belgian massacres in the Congo, Stalin's persecutions, and the United States’s bombing of Hiroshima.
The Writing on the Wall [Das Zeichen an der Wand]
The play was influenced by Adolf Eichman's trial in Israel. The protagonist is represenative of Eichman, a leading Nazi perpetrator who escaped to South America following the war. The perpetrator’s capture is facilitated by a survivor of the concentration camps. In an ironic twist, the businessman survivor’s life is saved by the Eichman character’s daughter, a prosecutor committed to bringing ex-Nazis to justice.